BOOK DESIGN & PRODUCTION: TWO DAYS IN MONTE CARLO

Lenses on the Legends

In 1967, the photographer Sture Lindvall documented the 25th Monaco Grand Prix in Monte Carlo. The result is an astonishing portrait of Formula One at its tipping point; 1967 was the last year before sponsorship was fully established and the world of Formula One was forever changed.

Project
Two Days in Montecarlo
Client
Richard Lindvall
Assignment
Book design

Grit and Glamour

The book Two days in Monte Carlo captures the thrills and the drama of the event. It provides a glimpse of the glamour and the beautiful people surrounding the legendary circuit and shows that Formula One is not only about the big teams and the dollars at stake, but also about the passion for the sport.

A legacy reborn

For many years, Sture Lindvall’s unique photos were hidden away until rediscovered by the photographer’s son, Richard Lindvall. Seeing the rawness, energy and emotion of this exciting era of the Grand Prix through the lens of his father's camera, Richard was captivated and wanted to give life to these lost negatives. Together with Neumeister, he created a book that not only revives his father’s legacy but also immortalises an iconic moment in motorsport history. A dedication to all those brave drivers who entertained us and often gave their lives for the sport.

Full focus

With an incredible collection of images, the photos are front and center in the design: full-page and spread layouts let them reveal their full impact.

A moment of tragedy

At the entry to the harbour chicane on the 82nd lap, Lorenzo Bandini lost control of his open-wheel 312 and crashed. Three days later, he succumbed to his injuries at the Princess Grace Polyclinic Hospital in Monte Carlo.

Behind the shots

More than a documentation of the race itself, ‘Two Days in Monte Carlo’ offers a rare look at the photographer’s process. The inclusion of original contact sheets reveals the raw material behind the final selections – moments of hesitation, experimentation, and instinct. It’s a tribute not only to what was captured, but to how it was captured.

Archival contact sheet showing Monaco race drama, photographed by Sture Lindvall for Neumeister’s case
Archival contact sheet showing Monaco race drama, photographed by Sture Lindvall for Neumeister’s case
Crowd watches in shock as fire erupts after Bandini’s crash — a historic moment documented by Sture Lindvall
Frames from Sture Lindvall’s 1967 Monaco race contact sheet — curated as part of Neumeister’s brand story
Black-and-white contact sheet from Bandini’s final Monaco race, preserved in Lindvalls’ historic archive
Contact sheet documenting Bandini’s final laps at Monaco, part of Lindvalls’ curated visual archive
Bandini’s last Monaco race in contact sheet frames, captured by Sture Lindvall and presented by Neumeister

Printed on Munken

‘Two Days in Monte Carlo’ is printed on Munken Polar Rough 150 g, a paper that enhances the depth and richness of the blacks in the images. The book was printed by Göteborgstryckeriet – now Printed By Wind – using a custom black-on-black technique that gives the monochrome images their striking depth and definition.

Black on black

The book comes in a slipcase covered in black fabric. The surface is debossed and lacquered to create a tactile feel and deliver the perfect premium touch.